In ihren Songs und Videos, so wie hier, in "Human", bricht Sevdaliza Gender-Rollen und Körperpolitik auf, und setzt sie neu zusammen. Die Produzentin, Songwriterin und Regisseurin Sevdaliza veröffentlicht ihr mit Spannung erwartetes zweites Album»Shabrang«. Das Track-Album, das. Sevdaliza (* 1. September in Teheran als Sevda Alizadeh) ist eine niederländisch-iranische Sängerin, Songwriterin, Tänzerin und Produzentin.
Sevdaliza: "Ich habe noch nie ein fröhliches Lied gemacht"In ihren Songs und Videos, so wie hier, in "Human", bricht Sevdaliza Gender-Rollen und Körperpolitik auf, und setzt sie neu zusammen. Sevdaliza (*1. September in Teheran, Iran als Sevda Alizadeh) ist eine iranisch-niederländische Sängerin, Songwriterin und Produzentin aus Rotterdam. Sevdaliza lässt sich keinem Stil zuordnen. Ihr Outfit ist stylish, wenn auch leicht verstörend, ihr experimenteller Future-Pop eine Mischung aus.
Sevdaliza SEVDALIZA’s tracks VideoSEVDALIZA - GOLE BI GOLDOON 8/28/ · In the vocoded title track, “Shabrang,” Sevdaliza aims to identify exactly where she ends and everything else begins; to do so, she refracts herself through pain like white light. 8/28/ · As with her debut Ison and her most recent EP The Calling, Sevdaliza co-produced Shabrang with Netherlands-based Mucky and enlisted Mihai Puscoiu to construct the album’s spine of film noir / Sevdaliza is known for presenting her music through alter egos. Her previous project, The Calling, took form in the identity of Majora, a spiritual enchantress who was birthed from Shahmaran, a.
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SLM Studios, Soundkings Rotterdam , Netherlands. Mucky Sevdaliza. Children of Silk ISON The Calling Sevdaliza Mucky. Sevdaliza Mucky Mihai Puscoiu.
Sevdaliza Mucky Joel Dieleman. Sevdaliza Mucky Dieleman. Sevdaliza Mucky Puscoiu. Sevdaliza Dieleman. Sevdaliza Dieleman Mucky.
Sevdaliza Leon Den Engelsen. Data Quality Correct. Reviews Add Review. Love POP : by benjaminecek. Music For The Dark Hours by Stifle.
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Submission Notes: optional. Save Cancel. Contained Releases:. Sevdaliza then released three singles in , "Oh My God", "Lamp Lady" and "Joanna", before announcing her second studio album Shabrang , which released 28 August Shabrang also features the single "Human Nature", which also appeared on her extended play The Calling.
According to Sevdaliza, "I think my sound would mostly be described as pure and raw. I'm not necessarily drawn to a genre, but to a process, or towards a certain mood like melancholy.
The interesting thing is that the music my music gets compared to is not necessarily music I've listened to, which makes it super interesting.
I was performing once, and a conservatory professor came to me after the show, saying that he could really hear that I draw inspiration from old Persian singers.
I asked him, "Wow, that's really interesting. How do you hear that? But I've never had a singing lesson in my life, and I've never listened to Persian music in my life!
It's really interesting to me that some things just come to you unconsciously like that. It's like you have this brain and it's unconsciously and consciously registering everything and in combination with your DNA it just becomes Sevdaliza's music is inspired by ideas of womanhood, identity, and motherhood.
Her album, ISON , is a visual album and has a video that is 1 hour, 6 minutes, and 28 seconds long. Unlike similar visual albums, the film is abstract and meant to be viewed in one sitting, as it subtly changes like a "moving painting".
Sevdaliza appears to be a satyr and an erotic dancer performing in a semi-abandoned large building with classical detailing in front of an audience sitting on a mezzanine.
The audience consists of only men, who are clearly wealthy, being served food and receiving this seemingly private and exclusive performance.
The time and place that this is occurring remains ambiguous, mostly because of the mysteriousness of Sevdaliza's semi-mythological character, who is dancing on dirt that has been plowed as in preparation for an animal race.
Additionally, her outfit recalls that of Debra Paget in the film The Indian Tomb , a nod to old Hollywood nostalgia and popular roles women play catering to male sexual desire.
Her video on YouTube is accompanied by the quote, 'the basic human need to be watched was once satisfied by god'. There is an official rendition of the song in Portuguese.
The video for Human was directed by Emmanuel Adjei. Sevdaliza performs several archetypal figures of women in contemporary society.
These archetypes are all solo and set against a bright white background, with watermarks and are meant to represent the limited roles accessible to women.
As a commentary on the commercialization of everyday life, Sevdaliza sold clips from the music video to Shutterstock.
There is the "confident, powerful woman active wear", "professional woman operator call center business", "glamorous sensual woman in silk garment", "confidant ethnic woman leather suit umbrella", and "glamourous woman wow white fur piano".
Sevdaliza says that "The accessibility of information and matter has created a new universal language, in which commercial brands play a key role.
The album art for ISON features a hyper-realistic bust of Sevdaliza herself, barely superimposed and upside down over a mannequin copy that appears to be covered with fresh bright red paint.
The hair that is hanging upside down, drapes over the shoulder of the bright red bust. Both appear to be sweaty or wet. The silicone sculpture is by sculptor Sarah Sitkin.
Stikin says "The idea is based around Sevdaliza being the mother to herself and her past lives. It carries her vulnerability stoically.
Her features distorted, some omitted, some emphasized. A new form is repeated through her 16 children number of songs surrounding her.
From Wikipedia, the free encyclopedia. Persian-Dutch singer. Sevdaliza performing at The Novo in Los Angeles, February The Fader.
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